SubUrbia
Screenplay by Eric Bogosian
Produced by Anne Walker-McBay
Directed by Richard Linklater
Cast List:
Giovanni Ribisi Jeff
Steve Zahn Buff
Amie Carey Sooze
John Cherico Channel Presenter
Samia Shoaib Pakeesa
Ajay Naidu Nazeer
Nicky Katt Tim
Jayce Bartok Pony
Parker Posey Erica
Dina Spybey Bee-Bee
EXT. ESTABLISHING – BURNFIELD – DAY
Over the various images of Burnfield's strip malls and fast food joints we hear GENE PITNEY singing.
GENE PITNEY (V.O.)
(singing)
"When your young and so in love as we
and bewildered by the world we see
why do people hurt us so
Only those in love know
What a town without pity can do
If we stop to gave upon a star
people talk about how bad we are
ours is not an easy age
we're like tigers in a cage
What a town without pity can do"
INT. JEFF'S ROOM – GARAGE – DAY
JEFF is talking on the telephone inside of his tent which is has set up in his parents garage.
JEFF
(into telephone)
Buff? Yeah, I'll see you down there later. I just gotta finish some stuff I'm writing. Okay. 'Bye.
Jeff clicks over to the other line.
JEFF
(into telephone)
SOOZE? Yeah, so did you tell him that we couldn't afford twenty bucks a ticket and why didn't he put us on the comp list? No, no, there's always a comp list. Alright. Well, so then, just get your mother's car and maybe we'll all go do something. Yeah. I gotta get off. Okay. 'Bye.
CUT TO:
INT. PIZZA JOINT – DAY
BUFF is the one of the only people working. Pies are over cooking in the oven and Buff is trying to punch out of work as soon as he can.
BUFF
(into telephone)
Hey, Frankie! Hey, what are you doing? Sleeping? What, at six o'clock? Sleep when you are dead. Hey, man, I just got off work. Why don't you meet me down at the corner. So? Put on some clothes and come down, man, yeah. Yeah, yeah, I wanna see you, man. Alright. Yeah. Hey, why don't you bring that pot you just bought? What?! Yeah, fuck you man!
(to employee)
Later.
CUT TO:
INT. SOOZE'S HOUSE. BEDROOM – DAY
Sooze's room is covered with a wide variety of artwork, most of which she as done. She hangs up the phone and walks down the hallway towards her MOTHERS room. She stops in her mother's doorway,
SOOZE
I'm going out later.
SOOZE'S MOM
No car.
SOOZE
The fuck not?
SOOZE'S MOM
You know the fuck not.
SOOZE
Fuck.
SOOZE'S MOM
Don't swear it's impolite.
Sooze storms out of the room and back down the hall to her own room. Sooze's mom is watching a shopping channel on the television. We dolly into the television.
SHOPPING CHANNEL HOST
... suggest that you call immediately. We are truly thrilled to bring you this next item and it's a Host Value Special. It's the spiral relaxation lamp. I personally bought one of these for a very good friend of mine and ended up falling in love with it, I found myself mesmerized by watching the balls. That's why I suggest that if you're going to buy one, that you buy maybe two or three...
CUT TO:
INT. CIRCLE A CONVENIENCE STORE – NIGHT
Two POLICE OFFICERS (CHIP and GARY) are at the counter buying cigarettes. Jeff is also inside shopping. The convenience store worker, NAZEER, is watching a cops-like TV show.
TV REPORTER (V.O.)
It started with a traffic argument, escalated to the firing of a legally carried handgun, ending with the death of the man it was aimed at. GORDON RIEDHALE claimed he couldn't escape an attacker who was punching him in the head. Concealed carry instructors say, "It's that fear..."
CHIP
Just depends on the filter capacity. What size is that pool?
GARY
Fifty-five thousand.
(to Nazeer)
Marlboros, chief. Hard pack.
CHIP
In that case you need a heavy-duty filter.
NAZEER
Two-fifty.
GARY
Two-fifty? They go up?
NAZEER
Always two-fifty, my friend.
TV REPORTER (V.O.)
What that means is that every armed licensee faced with danger must make a split second judgment call.
Gary places two-fifty on the counter and him and Chip walk back to their patrol car. As they leave the parking lot they see TIM sitting on the side of the building.
CHIP
(to Tim)
Timmy-boy!
Tim makes a "smooth sailing" gesture with his hand. Buff roles over to Tim on his roller blades. He sweeps off a piece of concrete and places down a slice of pizza. Buff begins to play hockey with two empty beer cans on the ground. He shoots one at the dumpster and the other at Tim.
BUFF
Peace! Ah, time's running out, three, two, one!
He shoots the beer can at Tim, barely missing him. Jeff walks up from around the corner holding a package of cookies he just bought. Nazeer is right behind him eating something.
BUFF (CONT'D)
Score! Yeah!
NAZEER
Hey, hey, seven-twenty. Seven-twenty.
Jeff turns around.
JEFF
What?
NAZEER
Seven-twenty.
JEFF
I gave it to you.
BUFF
He paid you man.
NAZEER
You owe me twenty cents. Come on, seven-twenty. Seven-twenty.
BUFF
Yo! Your spitting rice all over us! God.
Jeff digs into his pockets.
JEFF
Here's twenty-five cents.
Nazeer takes the money and walks away.
JEFF (CONT'D)
Guy should cut down on his caffeine intake.
BUFF
Needs some pizza in his diet.
Buff is eating his slice of pizza and skating around the group.
TIM
I don't think I like that guy's attitude at all. Hey, you know what? Take off the blades. I mean it. I'm gonna break your fucking legs. Take 'em off.
BUFF
You're fascist, man. Neofascist.
He sits down and begins to take of his blades.
TIM
Buff, sit. You know what I mean though? Somebody ought to crack that guy with a baseball bat.
JEFF
Yeah, well, he's from a Third World country. He doesn't have it easy.
TIM
What? What the fuck do you know about the third world? You been there? No? No, well, I have. Fuckers live like sardines in a can over there, you know. Everything stinks. It's true, there's no, you know, law, no order. No nothing. The assholes come over here, they think it's gonna be the same.
JEFF
Hey, he's a human being you can give him that much.
TIM
Actually, the only thing I gotta give that guy is a one-way ticket back to Greaseball-land.
JEFF
Yeah, well, that pizza could feed a family of four in Turkey or India or wherever the fuck he comes from.
BUFF
Oh yeah? Oh, how'd you ship it over there, man? Federal Express? Hm? By the time it got there it'd be way cold and coagulated. Total waste. Cheese be stuck to the cardboard.
JEFF
Buff, that slice is the difference between life and death for some half-dead Bangladeshi.
BUFF
Yo, your gettin' me all upset here.
JEFF
You should get upset. Everyone should get upset. When, when Hitler was greasing the Jews, people were saying, "Don't get me upset. Your bumming me out." My duty as a human being is to be pissed off. Jesus Christ, not that it makes a difference on the first fucking place. Nothing ever changes, man. Fifty years from now we're all gonna be dead and there'll be new people standing here drinking beer, eating pizza, bitching and moaning about the price of Oreos, and they won't even know we were ever here. And then fifty years after that those suckers will be dust and bones and there'll be all these generations of suckers trying to figure out what they're doing on this fucking planet and they'll all be full of shit. It's all so fucking futile.
TIM
If it's all so fucking futile, what the fuck are you so fucking upset about, fuckhead?
JEFF
Because I'm alienated.
BUFF
Hey! Hey, you like orgasms? Oh, yeah!
(yells)
Oh, Hey, hey, I'm at work yesterday, bitch comes in, orders a twelve-inch pie with extra cheese. So I ask her if she wanted me, like, to carry that out to her car for her. Bitch is obviously in heat. "Yes, right away." So I carry the pie out to her car. We smoke a J. She blows me. We eat the pizza, I chase her with the beer. Smoke, babe, slice, brew. All four bases, fuckin' home run man!
Jeff walks over towards the payphone, Buff follows. He dials a number.
JEFF
Your ability to fantasize is only exceeded by your ability to lie.
BUFF
Oh, untrue, Jeffster. I think, uh, two weeks ago we attended a concert where I had fucked two girls.
JEFF
(into telephone)
Hey, it's me. No, that's, that's the ultimate liar of liars.
BUFF
And your mom.
JEFF
(into telephone)
No, I'm here. Where are you?
BUFF
Where are youhoo?
JEFF
(into telephone)
No, no, no, no, I don't wanna be stuck with the guy. I want the tickets.
BUFF
Stuck, who? What guy? Huh?
JEFF
Shut up! Aw...
Nazeer opens the front doors of the Circle A and shouts at Buff and Jeff.
NAZEER
Look, you can't be out here all night tonight, okay?
Tim comes out from around the corner. Jeff continues talking on the phone ignoring the argument.
BUFF
Hey, we're just having a conversation.
NAZEER
This is private property, my friend.
TIM
Come on man.
BUFF
Hey, don't tell us about private property. This is America, my friend.
NAZEER
Look, look, look. You gotta go now, okay? The customers complain.
BUFF
We're your customers. We're not complaining.
NAZEER
Please!
Nazeer walks back into the store. Buff and Tim walk back around the corner towards the dumpster. Jeff is sitting by himself. Buff goes to sit down next to him.
JEFF
You don't need to sit next to me right now.
TIM
Who were you talking to?
JEFF
Nobody. Sooze.
BUFF
Stuck with what guy?
JEFF
What?
BUFF
You said you didn't want to get stuck with some guy. What guy?
JEFF
No, uh, nobody. It's, uh, it's my birthday this week and Sooze's brother might come by to wish me a happy birthday.
BUFF
It's your birthday?
JEFF
Yeah.
BUFF
Well, shit! Happy fucking birthday!
Tim and Buff grab Jeff and form a line, simulating sex. BEE-BEE approaches.
BUFF AND TIM
Happy birthday! Happy fuckin' birthday!
BEE-BEE
Um, is Sooze around?
JEFF
Uh, yeah, she should be coming by.
BEE-BEE
Uh, well, what'd she say? Is Pony coming?
JEFF
I don't know.
BUFF
Want a beer?
(to Jeff)
Is Pony coming?
BEE-BEE
No, thanks. I don't drink. Um, well, what'd she say? I mean, did she talk to him?
TIM
Pony? What's a "pony"? You mean that geek who played the folk music at the senior prom? What's that guy's name? Neil Moynihan?
BUFF
Oh, Pony's band "Dream Girls"? Been on the road opening for "Midnight Hore". Stadiums, man.
(to Jeff)
Wait, so Pony's coming by here?
BEE-BEE
(to Tim)
Didn't you see their video on MTV?
TIM
No, I shot my TV.
BUFF
But, so, Pony's comin' by here to the corner?
JEFF
He's around and, you know, maybe he's coming by. Sooze told him to come by and hang out, whatever. It's no big deal. Me, him, and Sooze are gonna...
TIM
Oh, no, you wanted to get together with your close friend, Pony, the rockstar. I understand. So you, do you, want us to, leave?
JEFF
No. We were just gonna go someplace or something to...
BEE-BEE
We are?
JEFF
Alright. She told him to meet us here. Fuck.
BUFF
(excited)
Pony's coming here to the corner?!
JEFF
Yeah, no, it wasn't even my idea.
TIM
Jeff, Jeff, if you want to be alone with Pony, you know, that's, that's fine with us.
JEFF
Sooze wants to see him.
TIM
Well, you know, I wanna fucking see him. I gotta know what it's like to be on MTV.
BUFF
Yeah, we all want to see him. So when's he coming?
BEE-BEE
Yeah, when's he coming?
JEFF
I don't know. Later. I don't know.
BUFF
(yells)
Yes!
FADE OUT
FADE IN:
EXT. CIRCLE A – PARKING LOT – LATER – NIGHT
Jeff and Sooze are kissing.
JEFF
God, I haven't seen you all day.
SOOZE
You could've come over.
JEFF
I know, I know, I know.
Jeff pulls out the front of Sooze's pants and looks inside them.
JEFF (CONT'D)
Oh! Trim it!
SOOZE
I hate that.
JEFF
Sorry. Let's go back to the van right now.
SOOZE
No. I'm not going to the van, it's so gross. Come on. I'm doing my performance right now.
JEFF
Okay, so maybe later.
CUT TO:
EXT. CIRCLE A – PARKING LOT – NIGHT
Everyone is sitting around watching Sooze do her performance art piece. She dances and jigs along with the words to her piece.
SOOZE
Ow. Jesus. Fuck Oliver Stone. Fuck Bill Clinton. Fuck Howard Stern. Fuck Michael Bolton. Fuck O.J. Simpson. Fuck Pope John Paul. Fuck my dad. Fuck all the men. Fuck all the men. Fuck all the men!
She begins to dance a jig.
SOOZE (CONT'D)
Bang your head, blow your nose.
Run down the street, suck a hose.
Chew my lips, eat some shit.
Eat a stick of dynamite and blow yourself to bits.
Shut your mouth, go away.
Drink my piss, have a nice day!
I hope you cry and never doubt.
I hope you die with blood in your mouth.
I hope your lies will no more shout
What's in my eyes, what's in your snout.
Your a pig! I know that's true!
I dance a jig! Fuck you!
Fuck you!
Fuck you!
Fuck you!
Sooze ends her piece and looks at everyone.
SOOZE
So?
Everyone slowly starts to applaud.
BEE-BEE
That was really great.
SOOZE
Was it okay?
BEE-BEE
Yeah!
SOOZE
What did you guys think?
BEE-BEE
Slides go with it.
SOOZE
Behind me. I'm making these slides out of these old pictures and paintings and stuff.
JEFF
Was that supposed to be me?
SOOZE
No.
JEFF
Yes.
BEE-BEE
It's called "Burger Manifesto, Part One The Dialectical Expression of Testosterone." Isn't that a great title?
SOOZE
Why is everything about you, Jeff?
JEFF
No, not, not everything. This. I am the man in your life.
SOOZE
Man?
JEFF
Yeah, man, male, significant other, whatever the fuck I am.
SOOZE
It's a piece.
JEFF
Your sure as hell right about that.
SOOZE
I'm not doing it anywhere, Jeff. It's just part of my application to the School of Visual Arts in New York.
BUFF
Ah, you know people there?
SOOZE
I'm just gonna go. I figure the worst I can do is starve to death.
JEFF
"The worst I can do is starve to death." Listen to you.
SOOZE
I don't want to hear it anymore.
JEFF
No, no, no. Y-you know what? Y-your packing your bags, you're jumping into the unknown because some conceptual artist who teaches at a community college is having a mid-life crisis and he wants to sleep with some girl half his age, so he tells you you have talent.
SOOZE
Mister Brooks has had shows in New York, Jeff. He's been reviewed in Art Forum. I think he knows.
JEFF
(in mock British accent)
Oh, well, then you better listen to him.
SOOZE
Well, fuck! Might as well not do anything! Let's just stick out thumbs up our asses and twirl.
TIM
Yes, that's right. You know what, honey? You should go to New York. You should go. Go show 'em. They need your unique point of view.
SOOZE
At least I have a point of view, you know?
BEE-BEE
Uh-huh.
SOOZE
I stand for something. And I'm trying to communicate something.
JEFF
What are you trying to communicate? Tell us.
SOOZE
So you can give me more shit?
JEFF
No, no. It's an honest question. What are you trying to communicate?
SOOZE
I'm trying to communicate how I feel, Jeff. You know raise consciousness. Make people think for a change.
BEE-BEE
Mn-hm.
JEFF
"Burger Manifesto, Part One" is gonna make people think?
SOOZE
Yes, you asshole.
JEFF
About what?
SOOZE
About things that are important to me.
JEFF
Like what?
SOOZE
Sexual politics, racism, the environment, the military industrial...
BEE-BEE
Um-hm.
JEFF
Wait. Racism? You don't know anybody who's black!
SOOZE
Of course I do!
JEFF
Name one.
SOOZE
God, KAREN JOHNSON.
JEFF
One!
SOOZE
Your completely missing the point.
JEFF
Hey!
SOOZE
I'm talking about idealism.
BEE-BEE
Responsibility, progress.
SOOZE
Yes.
JEFF
No, idealism is guilty, middle class bullshit.
SOOZE
No, sweetie. Cynicism is bullshit.
JEFF
No, no, no. I'm not being cynical, I'm being honest.
SOOZE
But do you stand for anything?
JEFF
Yes, I stand for –
SOOZE
What? What do you stand for?
JEFF
I stand for honesty! I stand for some level of truth!
SOOZE
Oh, yeah, right. Yeah, right. Fuck you.
JEFF
Can I talk here? Let me talk.
SOOZE
You know, all you know is what's good for you.
JEFF
Can I talk?
SOOZE
Typical male.
BEE-BEE
Typical male.
SOOZE
Typical male.
BEE-BEE
Typical male.
SOOZE
Tim, he listens to you. Do you think it's a good idea? Seriously?
TIM
Seriously? It's a great idea.
SOOZE
Ha! Thank you! See? He did it. He left.
TIM
I did. I split, man. I expanded my horizons, you know. Served my country. Saw the world, you know? I've gained wisdom and now I'm back, baby, back from the road. Me and Jack Kerouac.
The group starts to head back up to the Circle A.
SOOZE
I can't wait till Pony gets here, you know? Have a conversation with a human being?
JEFF
Well, if you love him so much, why didn't you go see him play?
SOOZE
Um, because you didn't want to go.
JEFF
Like I'm goito pay twenty bucks to see Neil Moynihan in some band that I helped start.
SOOZE
Okay. Well, you know, he's always been a nice guy and I like him.
TIM, BUFF, & JEFF
(in unison)
He's a geek.
BUFF
Hey, I've been, uh, making these tapes, videotapes. I ripped off a camcorder up at the mall. I thought, you know, it could be something that I do, be a video artist, you know.
TIM
Ladies and gentlemen, Buff, the postmodern idiot savant. He will outdo us all.
As the group walks up the front walk of the Circle A, Buff spots Nazzer sweeping up the walk. Buff harges at him, twisting and turning his hockey stick in mock kung-fu fashion. He stops right in front of Nazeer.
BUFF
(in mock kung-fu scream)
It's safe, come on.
NAZEER
That's it. That's it! I'm calling the police.
JEFF
Why we're just standing here.
NAZEER
Look, your trespassing.
BUFF
Hey, call the cops! Call 'em, call 'em right now, man. Maybe my cousin Jerry will show up. He'll definitely take your word over mine. You can tell him about the trespassing. I'll tell him about how you sell beer to minors.
NAZEER
Look, look, I'm not joking around now, okay? Come on, let's go, let's go!
SOOZE
We're just standing here!
NAZEER
Just go and stand someplace else, okay?
BUFF
You stand someplace else, man. You stand someplace else. This is our corner. You don't fucking own it!
NAZEER
Yes I do. My family owns it. It's ours. You don't belong here.
BUFF
No, you don't belong here. We were here before you.
TIM
Why don't you go back to where you came from?
SOOZE
Hey, Tim.
TIM
No, see, sweetheart, you don't want to stand up for parasite 'cause I can fuckin' smell him from here. You know what? Tow words, man: roll on.
NAZEER
Yeah, yeah, yeah, yeah, what are you, huh? You fucking drunk bum. Yeah, you good-for-nothing. You just, uh, hang around. On my property.
TIME
The Hare Krishna's calling me a drunk. Hey, listen, pal, you want us to go?
NAZEER
Yeah, please, go. Come on.
TIM
Make a move. Greasecake. Towel-head.
SOOZE
Hey, Tim, you know what? You win.
TIM
Fucking drunk, huh?
SOOZE
You have the largest penis. Can we go please?
JEFF
Don't let 'em fight.
BUFF
The dude wants it.
SOOZE
This is ridiculous!
JEFF
Tim!
PAKEESA, Nazeer's wife comes out of the store brandishing a gun.
NAZEER
Pakeesa? It's okay. Come on. It's okay. Come on, they're just joking around.
BUFF
Yeah, we're just screwing around. Like Mohammed said. Can't take a joke, man? Hey, I hope you got a permit for that, mama!
SOOZE
We're sorry, okay? We're gonna go.
The group begins to walk away.
TIM
Hey, your gonna regret this.
SOOZE
Come on, Jeff.
BUFF
Fuck her! Come on, let's go.
SOOZE
(from across the parking lot)
Jeff! Let's go!
Jeff is looking at Nazeer.
JEFF
Hey, I'm sorry about that. It was just a misunderstanding. He was upset about something and he took it out on you and I'm sorry. 'Bye.
Jeff walks away quickly to catch up with the group.
EXT. SIDE OF ROAD – NIGHT
The group is walking down the street. Sooze and Bee-Bee are in front, a few feet away is Tim who walks by himself, and holding up the rear are Jeff and Buff.
JEFF
No, I seriously doubt that Pony's gonna be in a limo.
BUFF
That's the rock star thing.
JEFF
No, no.
BUFF
Oh, I'll bet you he has a babe with him right out of a triple-x video. Oh, oh, Pony, come on, give it to me! Stud! Oh!
JEFF
Buff, Buff, Buff, Buff, Buff.
BUFF
Sorry.
JEFF
Jesus Christ.
BUFF
You wanna bet he's with a girl?
JEFF
No, he's not with a girl.
BUFF
Oh, right. Oh, oh my God! Pony, it's so huge!
JEFF
You know what? He probably gets bored with all that shit.
BUFF
Oh, yeah, yeah. Wait, um, how do you figure that?
JEFF
I'd get bored.
BUFF
I wouldn't. If I were in his shoes, every morning I'd get up singing, man. Do my work-out, take a shower, followed by a hearty breakfast, steak and eggs, washed down with a pot of hot coffee, six pack of Coors Lite. Then I'd order my bodyguard to go find my babe, who would appear decked out in her all-black leather Victoria Secret custom-made bodysuit. So I'd, like, have to chew off all her clothes until she was completely nude. Except she'd have these amazing dragon tattoos all over her body and pierced nipples with little gold peace signs hanging from 'em. And then she'd take out this half-ounce of blow, we'd snap out a few mondo lines, vaporize a few million brain cells, screw for about an hour, then spend the rest of the morning trashed watching Gilligan.
JEFF
That sounds so great, man. Yes. Yes. Hey, what would you do in the afternoon?
BUFF
Same, more of the same. Yep, just keep doing the same thing all the time, around and around the clock. With an occasional burger or slice of thrown in for our vitamins and energy. Then, instead of watching Gilligan, we'd watch Captain Kirk.
JEFF
That sounds so depressing.
BUFF
Oh, come on, man. Tell me you wouldn't love it!
JEFF
No, I'm not saying that I wouldn't love it.
BUFF
Ah!
JEFF
I'm saying no, I'm saying after a while it'd wear thin.
BUFF
Yeah, a long while. A long, long while.
JEFF
Watch out for that tree.
Buff misses the tree.
BUFF
A long, long, long, long, while.
JEFF
Okay, okay.
BUFF
A long, long, long...
JEFF
Okay.
Up ahead the group is taking two different paths. Sooze and Bee-Bee are headed towards a burger joint, while Tim is headed the opposite way towards the liquor store.
BUFF
Hey, Tim! Hold up.
Buff takes off after Tim.
CUT TO:
INT. BURGER JOINT – BOOTH – NIGHT
Jeff, Sooze, and Bee-Bee are all sitting at a booth with plates of food in front of them. They are in mid-conversation when we join them.
SOOZE
It was a racial incident.
JEFF
It was just something that got out of hand. Did anyone get hurt?
SOOZE
It got that close.
JEFF
Okay, but nothing happened. Believe me, if I thought something really bad was going to happen, I would've done something.
SOOZE
Oh, yeah?
JEFF
Yeah.
SOOZE
Okay, what would you have done.
JEFF
I would've stopped it.
SOOZE
How?
JEFF
I don't know. I would've done something. This is kind of hypothetical, isn't it? This place is so stupid. I can't believe we're sitting here in this mosh-pit of consumerism. With all these people eating their chunks of dead flesh...
SOOZE
Jeff. Jeff.
JEFF
... like fucking robots. Look at those kids there.
SOOZE
Jeff. You know, I was talking to Mister Brooks yesterday. He has this friend in New York who wants to sublet his apartment for six-fifty a month. I could swing that. Six-fifty.
JEFF
Sooze.
Bee-Bee walks away from the conversation, getting her own booth.
SOOZE
What?
JEFF
Did it ever occur to you that I might have some feelings about you moving to New York?
SOOZE
What feelings?
JEFF
Us.
SOOZE
Of course.
JEFF
And?
SOOZE
Come with me.
JEFF
No, no, see, that's not what I'm saying. I could go to New York if I wanted to, but what's the point? So I can learn how to order a cappuccino? So I can get mugged by some crackhead? So I can see, see homeless people up close and personal?
SOOZE
So what do you wanna do?
JEFF
Nothing.
SOOZE
No one does nothing, Jeff.
JEFF
Okay, well, then, I'm gonna break new ground.
SOOZE
New ground?
JEFF
Mm-hm.
SOOZE
Taking one community college course on the history of Nicaragua, while barely holding a job packing boxes?
JEFF
Okay, look. My job is not who I am. I don't need that. Why? What's your goal? Status? Money? Getting your picture on the cover of some glossy magazine?
SOOZE
My goal is to make art.
JEFF
So, what, why can't you do that here? What's wrong with here? Why is somewhere else better?
SOOZE
Why should I stay here, Jeff? So we can sit on the corner and watch the lights change, while you bitch about Burnfield?
JEFF
Mm-mm.
SOOZE
So I can spend the rest of my life guessing what it would be like to be a real artist?
JEFF
No, no.
SOOZE
So you and I can fuck while your parents are out having dinner at the Sizzler? What are we doing, Jeff? You and me?
JEFF
I don't know.
CUT TO:
INT. TOP WINE & LIQUOR – NIGHT
Buff and Tim are buying alcohol.
SCUFF
Hey, great game Friday. Kicked Holbrook's ass, huh?
TIM
Missed it. Can I get a fifth of Old Crow?
SCUFF
Just one?
TIM
Yeah.
BUFF
Hey.
SCUFF
You seen the new guy we got? Be? The guy can pass. Hey, I've been meaning to ask you. Do you remember that game against North Reading? When you passed to Pierce and he dropped the ball? What do you think happened? Do you think, like, he wasn't there or were you short?
TIM
I don't, I don't remember. What do I owe you?
SCUFF
Uh, eleven twenty-five.
BUFF
Hey! Yeah!
SINGER
"In my head I'm tall My arms are big"
CUT TO:
EXT. STRIP MALL – PARKING LOT – DAY
Bee-Bee is sitting on the side of the wall listening to the radio.
BUFF
Hey!
BEE-BEE
Hey. Do you have a cigarette?
BUFF
No I quit.
BEE-BEE
Hey, you said you did a video?
BUFF
Yup.
BEE-BEE
What's it about?
BUFF
It's really not about anything.
BEE-BEE
Oh. Well, what's it on?
BUFF
A cloud.
BEE-BEE
A cloud?
BUFF
Yeah. There was this cloud and I video taped it.
BEE-BEE
Oh.
BUFF
I was doing schrooms and I saw this cloud. It looks excellent on tape. The video is like my head and, and everything, you know, is, like, is like in there that I see. You know? Plus, I'm gonna come down here one night and walk around inside the Circle A with the camera and tape shit.
BEE-BEE
Oh, that's so amazing. I wish I could see it.
BUFF
You can see it. Whenever you want. Don't you, um, work at a hospital or something?
BEE-BEE
Yeah, I'm a nurse's aide at Mercy.
BUFF
Your a nurse?
BEE-BEE
No, I, you know, I help 'em out. I empty bedpans and bring 'em lunch. That kind of thing.
BUFF
Any gunshot victims?
BEE-BEE
Oh, some of 'em. But it's mostly just strokes and shit. I mean, most of 'em just sleep all the time and get kind of yellow. Usually they die id they're, you know, really yellow.
BUFF
Sounds like a bummer.
BEE-BEE
Oh, no, it's not. I mean, they're not all totally in a coma. I mean, they know when I'm helping them.
BUFF
Mm. Hey, what are you doing now?
BEE-BEE
Right now?
BUFF
Yeah.
BEE-BEE
I don't know. Waiting, I guess. You know?
BUFF
Do you wanna go to the van?
BEE-BEE
Now?
BUFF
Yeah, we could hang out and smoke a dube, you know?
BEE-BEE
I don't smoke dubes and I don't really hang out. But I'll go back. Okay.
BUFF
Okay, whatever you want.
CUT TO:
EXT. CIRCLE A – PARKING LOT – NIGHT
Jeff is standing on the side of the building alone. He sticks his head out to see of anyone else is around and is spotted by Nazeer. He quickly ducks back around the corner, laughing.
JEFF
Shit.
A long, black, stretched, limo pulls up. Pony gets out.
JEFF
Hey, Pony.
PONY
Hey, man. Jeff. How're you doin?
JEFF
Good, man.
PONY
Wow, man. The corner. I mean, nothing's changed.
JEFF
Well, shit, man, you've only been gone for a year, man, Is that your limo?
PONY
Yeah, yeah. Yeah, the record company, they make me use it, you know. I mean, it's dumb, I know, it's just...
JEFF
No, it's not...
PONY
Hey, the driver knows Billy Idol. Wow, huh?
JEFF
Yeah, hey I saw your album at Musicland up at the mall.
PONY
Oh yeah, yeah, we're starting to get good placement and shit like that, you know.
JEFF
Yeah.
PONY
We sold, uh, over ninety thousand units and uh... and Danny says that we're gonna get a gold record. Yeah.
JEFF
Wow. A gold record, man, that's great. So you're, you're like living the wild life now, huh?
PONY
Nah, nah, nah, nah.
JEFF
Aw, come on. Rock star. Fame. Fortune. Sex.
PONY
Yeah, shit. Naw, man, you know. It's hard work, you know?
JEFF
Yeah.
PONY
The road's hell, you know? I mean airport, hotel, show. And airport, hotel, show. Airport, hotel, show. I mean, fuck, man, you know? You still living at your mom's?
JEFF
Yeah, I crash there.
PONY
Yeah, good.
ERICA, Pony's P.A. person steps out of the limo talking on a cellular phone.
JEFF
Yeah, most nights I'm just sleeping on the couch.
ERICA
(into phone)
Yeah, that sounds cool. Great.
She hangs up the phone.
ERICA
(to Pony)
He says we got to be at the radio station at seven a.m. Can you handle that?
PONY
Oh, sure.
ERICA
Great.
(to Jeff)
Hi. I'm Erica.
PONY
Oh, Erica, this is my friend Jeff.
ERICA
Hi, Jeff. Nice to meet you.
PONY
Jeff, Erica. God, it's so amazing to be back home.
ERICA
Oh, wow.
PONY
I mean, we've been playing big places everywhere, but when we did that sound check at The Orpheum, it suddenly hit me. I'm playing The Orpheum, you know? I mean, the last time I played here was, uh, the prom.
JEFF
The prom. That's funny.
PONY
Hey, I though you guys were coming to the show, man?
JEFF
Oh, uh, yeah, we were, but, uh, Sooze, screwed up the tickets.
PONY
Oh, man, we were pretty on tonight.
ERICA
Oh, you were excellent tonight, Pony.
PONY
We were?
ERICA
Oh, yeah, it was a great show.
(to Jeff)
You guys missed it.
JEFF
Sorry.
PONY
So how's college?
JEFF
I dropped out. I mean, uh, you know, this semester I'm taking a, a class, you know, three nights a week. But I'm just try-trying to think and work on stuff., you know? I've been doing some writing, though. Short pieces, you know.
ERICA
I love writing. A-Anne Rice? I love Anne Rice.
PONY
Short pieces, huh? You should try to write songs.
JEFF
You know, I've thought about that, actually.
PONY
No, man, I mean it. You're a good writer. I remember those things you'd write during honors English. Funny shit.
ERICA
Mm.
PONY
He wrote this thing about his dick once and he read it in front of the whole class.
ERICA
I'd love to read that.
PONY
Funny shit, man.
JEFF
So you think I should?
PONY
What?
JEFF
Write. 'Cause I, I have written some things.
PONY
Like songs?
JEFF
Yeah, they could be songs.
PONY
Yeah. You should show 'em to me.
JEFF
Really?
PONY
Yeah, really.
JEFF
Now?
PONY
Yeah.
A red Jeep Cherokee pulls into the parking lot. Sooze jumps out from behind the wheel and begins to run towards Jeff and Pony.
JEFF
Great.
PONY
Yeah, maybe later.
(to Sooze)
Hey! Hey!
SOOZE
Pony, oh my god!
PONY
Hey!
SOOZE
You showed up. Oh, my god! Holy shit! Look at this car, man!
PONY
Oh, it's stupid, isn't it.
SOOZE
Is that your driver?
PONY
It's stupid.
SOOZE
No, no, it isn't. It's cool.
PONY
Look at you!
SOOZE
Oh!
PONY
Wow. Hey, you look good. Like you, you know, head's in a good place, you know? You, are still doing your painting?
SOOZE
Sometimes, yeah. You know, I started to do performances.
PONY
Oh, yeah?
SOOZE
So? What's L.A. like?
PONY
It's pretty exciting.
SOOZE
Yeah?
PONY
Yeah.
SOOZE
Like?
PONY
Oh, uh... uh, the other night our manager Danny took us to this restaurant and there was Sandra Bernhard.
SOOZE
No, she was just sitting there?!
PONY
Oh, yeah, just sitting there eatin' a salad, you know. That kind of thing happens all the time in L.A. It's, you know... I met Johnny Depp.
SOOZE
You did? I love him. Yeah, you know, I'm thinking of moving to New York.
PONY
New York, huh?
SOOZE
Yeah. To go to school and, you know, paint, performances, paint.
PONY
You have to go. You always did such, uh, you know, great work. I still have some of those drawings that you'd do in study hall.
SOOZE
You do not!
PONY
I do. Jeff, don't you think Sooze should go to New York and, uh, you know.
JEFF
Yeah, uh, that would depend, but yeah. She should.
SOOZE
Mm.
Buff and Bee-Bee walk up, after they're excursion to the van.
BUFF
Hey, yes! Hey, Pony, man! Great concert tonight!
PONY
Oh, you were there?
BUFF
No, but I heard it was great.
PONY
Oh, thanks. Thanks.
SOOZE
Hey, Pony, this is my friend Bee-Bee.
PONY
Hey.
BEE-BEE
Hi.
PONY
How're you doing? Nice to meet you.
BUFF
So tell us, man. Party time, trashin' hotel rooms, babes around the clock?
PONY
Naw, naw, we don't have time for all that.
BUFF
Oh, So what about her?
ERICA
Hi.
PONY
Oh, uh, Erica? Erica is the publicist for the band.
ERICA
Hi, I'm Erica.
SOOZE
Hey, I'm Sooze.
BUFF
Yeah, right, publicist.
ERICA
Nice to meet you Sooze.
(to Bee-Bee)
Hi, I'm Erica.
PONY
Yeah, she, uh, works for the record company and takes care of interviews and, you know, shit like that, Uh, we were actually just doin' an interview and Erica said she's like to see Burnfield, so...
JEFF
So, do you guys want to do something, go someplace or something like that?
BUFF
So, we're all old friends of Pony's. We go way back to our childhood.
ERICA
Yeah, he's told me. Burnfield. We all hear about Burnfield.
BUFF
Mm. You know, does he telyou about how, uh, Jeff, Pony, started the band...?
ERICA
Oh, you were in the band?
BUFF
Yeah.
JEFF
Well, I helped start it, but, you know, uh...
PONY
Well, not exactly.
JEFF
For a while.
PONY
Well, I mean, we jammed a couple of times. You know, I mean, you play harmonica, but that was before we were really a band, you know, before Danny signed us.
ERICA
Right.
JEFF
Yeah, well, I, I came by more than a couple times.
Tim walks over to the group.
TIM
So you came by to see how the other half lives, huh? Well, here we are, What do you think? Pretty fucking pathetic huh? Kind of like one of those documentaries on educational TV?
ERICA
It's nice here. It's different.
TIM
Yeah, totally.
(to Pony)
So, uh, what do they interview you about?
PONY
Well, uh, there's this benefit for Rwanda we're gonna do. And, uh, you know, my songs, uh, where I get the ideas for them, uh, you know, stuff like that.
TIM
Where do you get your ideas?
SOOZE
Leave him alone, Tim.
TIM
Uh, excuse me, I'd like to know where he gets his ideas.
SOOZE
Tim's jealous, you know? He wants to have ideas too.
TIM
Yeah. Yeah, I'm jealous of MTV faggots who are named after animals.
SOOZE
Jeff!
BUFF
Your his publicist?
ERICA
Sure I am. It's fun.
BUFF
Mm. And your like, what else?
Bee-Bee watches Buff flirt with Erica. He face grows a long scorn.
ERICA
What do you mean? His girlfriend?
BUFF
Well, that's one way of putting it.
ERICA
Am I fucking him?
BUFF
Shit.
ERICA
Pony, what would you say our relationship is?
PONY
Um, mother-daughter.
ERICA
Pony and I are friends.
BUFF
So, then, you're, like, available?
ERICA
In what way?
BUFF
Mm, in a horizontal and wet way!
Buff shakes a can of beer at crotch level, sending foam and beer spray everywhere.
SOOZE
Ew! Oh, Buff! Relax!
TIM
Why don't you fucking relax? He's having verbal intercourse, Sooze.
ERICA
Oh, god!
SOOZE
No, he's not. He's objectifying her and he's entertaining us at her expense.
ERICA
Oh, it's okay. What's your name?
BUFF
Buff.
ERICA
Buff is funny. God.
TIM
Buff is funny, okay? She likes Buff, so why don't you whip shut the feminist hole.
SOOZE
Hey, why don't you swallow your cock and choke on it? Oh, I forgot, it's not big enough.
JEFF
So, um, Pony, where are you staying? Are you staying at your mother's house?
PONY
No, no, they, uh, you know, that can be kind of a hassle, so , uh, you know, I just stay at the Four Seasons. It's easier.
TIM
Yeah, yeah, I stay at the Four Seas, it's ease.
JEFF
Wow, that must be pretty nice there.
PONY
Yeah. Yeah. Yeah, yeah, it's, you know, it's a bed and hot water.
ERICA
It does look good.
SOOZE
Yeah, so what do you guys do next? I mean, what's your band do now?
PONY
Oh, uh, we're gonna go in the studio and we're, we're doin' a new album.
SOOZE
Yeah?
PONY
Yeah, and I was thinking, Sooze, you could do the cover.
SOOZE
You do not want me to do your cover.
PONY
I don't want you to do the cover, I, I need you to do the cover.
SOOZE
You're not serious.
PONY
I'm always serious.
SOOZE
Oh they'd never let me do what I want.
PONY
I get final approval. It's in my contract.
SOOZE
Would I get paid?
PONY
Yeah, we'd have to fly you out for meetings, you know.
SOOZE
Yeah?
PONY
Yeah.
SOOZE
Oh, God, that would be something I really want to do.
CUT TO:
INT. TOP WINE & LIQUOR – NIGHT
Tim is back again, to buy more alcohol.
TIM
Hey, can you cash this?
Tim hands Scuff a treasury bill.
SCUFF
Yeah. Yeah. How's the air force, Tim?
TIM
It's not the air force anymore, Scuff
SCUFF
So where are you?
TIM
I'm here.
CUT TO:
EXT. CIRCLE A – PARKING LOT –NIGHT
The group is still hanging out at the Circle A.
PONY
Okay, now, you guys all take care, okay? Oh, man, I feel so good. I feel good 'cause I'm hanging out with you guys, man. You know? I mean, I forgot what it was like to just hang out.
SOOZE
Yeah.
PONY
And you know why it's so good? See, because, see, you guys are real. No, man, I mean it. You guys have a sense of humor. You live your lives, you know. It's simple, you know. The guys on the road, I mean, the band, all they talk about is scoring chicks... and Danny, all Danny talks about is money.
BUFF
Yeah, we're all above that.
PONY
See, I wrote something about all this. Uh, it, it's a song about...
BUFF
Well, play it, man.
SOOZE
Yeah, come on, play it.
PONY
Oh, no, man. I can't.
BUFF
Yeah.
SOOZE
Come on.
BUFF
Play it! Come on!
PONY
No, no, no, no, no, it's new.
BUFF
Please.
PONY
I just started it.
Buff walks over to the limo and picks up Pony's guitar and harmonica from off the trunk of the car.
BUFF
I don't care. I'm gonna drop it. I'm gonna drop it. I'm...
PONY
Don't drop the guitar, man.
Buff pretends to almost drop the guitar.
BUFF
Whoa!
PONY
No, no, whoa!
Pony grabs the guitar away from Buff and begins to put it on. Everyone gathers around Pony, except Jeff.
BUFF
Yes! Free concert!
ERICA
Alright, Pony!
PONY
Alright, alright already.
SOOZE
Alright!
BUFF
Yes! Hey, unplugged Pony!
Pony begins to play and sing.
PONY
(singing)
"Drove down the highway
there was a big jam
The family had died
There inside their minivan
There was a backup
It went on for miles
But as bad as it was
It was gone after a while"
(to group)
Chorus here.
(singing again)
"You may think there's nothing to it
and the truth is hard to see
To be an invisible man is a remarkable
thing to be
thing to be
thing to be"
SOOZE
That was so great!
ERICA
It's coming along.
PONY
Thank you.
BUFF
Hey, I'm glad you put truth in your song, man. That's important.
PONY
Hey, thanks, man.
JEFF
So who are you?
PONY
What do you mean?
JEFF
Well, if we're, like, the man invisible, what are you?
PONY
I don't know. Uh, I'm an artist, I guess. You know, there's life and then there's the people watching the life, commenting on it.
JEFF
Yeah, well, that's what I do too.
PONY
What?
JEFF
Comment, say things, think. Whatever. Why are you so special?
PONY
Well, I, I didn't say I was special, but it's one thing, you know, and it's another thing to actually communicate it to people. You know what I mean? If a tree falls in a forest and no one hears it, does that make a sound?
JEFF
Of course it does.
SOOZE
You know, that is my worst fear. Making a sound and no one hears it.
PONY
Mine too.
JEFF
W-wait a minute, wait a minute.
PONY
You know what I'm saying?
SOOZE
Sure. You make art and you want people to see it.
BUFF
Wait, what happened to the tree?
JEFF
Yeah, but that doesn't mean that your tree is not artistic if no one cuts it down.
SOOZE
Jeff likes to argue for the sake of arguing.
JEFF
No, I don't.
SOOZE
Yes, you do.
JEFF
No, I don't.
SOOZE
You do.
JEFF
No, I don't.
Tim walks up to the group from behind Erica. He stops and talks to her.
TIM
Hi.
ERICA
Hi.
TIM
So you, like, come from a town like this or...?
ERICA
No, not really. I come from an "area". Bel Air.
TIM
You rich?
ERICA
No, not really. Middle-class.
TIM
Oh, me too. Middle-class.
ERICA
Maybe upper-middle-class.
Pony is singing another song. Buff, Bee-Bee, and Sooze are all sitting on the asphalt in front of Pony, wide eyes. Tim is talking to Erica on the car and Jeff is pacing back and forth.
PONY
"See what's around you listen to their lies"
TIM
So, like, your dad's a big deal, right?
ERICA
Thinks he is. Well, he is.
TIM
He is?
ERICA
Yes.
TIM
He is.
ERICA
He is.
TIM
And you love him a lot. He bought you a BMW for your birthday, but you finally had to move out and get your own place. I mean, I know, it's time to leave the nest. Parents hate your smoking. You didn't tell them about the abortion. All your friends got boob jobs, you got the tattoo instead. Subscribe to Vaniety Fair.
Tim feels Erica's arms.
TIM (CONT'D)
Ooh, wow, nice. Personal trainer? Very nice.
PONY
"I sound like an idiot
watching the parade
I know there's no tomorrow
only the charade
I am dead
Deep inside my head
All the lies
There's no then
Only now
I will love
show me how"
Bee-Bee stands up and walks away. Jeff watches her leave and begins to pace faster.
PONY (CONT'D)
"I buried my hand in a fire
I haven't slept for a week
I cut my feet on the glass
Never finding what I seek
I need salvation
I need"
SJeff stops pacing and jumps up screaming.
JEFF
FUCK! Pony, if we wanted to hear you sing, we would've gone to your concert!
SOOZE
Jeff!
JEFF
So you sold ninety thousand units. So what? Does that mean you're a genius? You're a great artist? You're higher up the ladder? You got an extra gold star on your fuckin' forehead?
TIM
Wow, you're cute when you're angry.
JEFF
Why don't you write a song about Sandra Berhard's salad, asshole?
SOOZE
Jesus, Jeff.
PONY
Hey, man, uh, look, if you don't like my stuff, uh, I won't sing it, okay? I'm sorry, you know?
JEFF
No, that's not what I'm saying. I'm saying I don't need a limousine to know who I am, alright?
TIM
Right on. You know what? He doesn't need the limo, man.
JEFF
I mean, you know, at least I admit that I don't know. I know that things are fucked up beyond belief and I know that I have nothing original to say about any of it, alright? I don't have an answer. I don't have a fucking message.
TIM
Okay, great. Well, now he's crying. Are you guys happy?
JEFF
Oh, shut up, Tim. This isn't funny, man.
SOOZE
(sighs)
I'm sorry. I'm sorry.
PONY
No, no, no, no, no. Uh, hey, man. You know I'm really sorry if I, if I said something wrong. I, I...
JEFF
No, man. Hey. No, you know what? Hey, it's you, man. It's, you know what, you know what it is? It's this tarpit of stupidity that we're all stuck in. It's this cell. It's this void, you know.
PONY
Oh, no, man, look. Look, you know, it's me, okay? I come out here and I'm, so used to everyone, you know, kissing my ass and I think I'm a fucking star, man, and I'm really sorry if I'm full of attitude. I, I really...
JEFF
No, you know what? It's not you, man. It's not anybody. It's me. Whoo! Hey.
PONY
Look, man, it... Shit. Why don't we get something to eat? I mean food?
ERICA
We'd have to hurry.
SOOZE
China Gate's open till midnight.
PONY
George can drive us. There's plenty of room in the car. Jeff?
JEFF
No. You know what? You guys go ahead and bring back something here. Yeah.
PONY
Why don't you come with us, man? I mean, I want to hear about those songs you've been working on. You too, Buff.
BUFF
Limo ride!
Buff runs and jumps into the limo.
PONY
Tim?
TIM
Uh, I didn't write any songs. You guys go ahead. I gotta stay here and guard the parking lot.
Sooze walks over to Jeff.
SOOZE
Come on.
JEFF
No. No, no, no.
SOOZE
Come on. I'm not gonna go if you don't come.
JEFF
No, I just don't feel like it. That's all.
SOOZE
Why don't you just try? Please. For me. Come on.
Buff sticks his upper body out of the limo's sunroof.
BUFF
Hey, come on, man! Limo!
SOOZE
Hey, wait, where's Bee-Bee? Bee-Bee! Bee-Bee, where'd you go? Did you guys see where she went?
PONY
Erica, you coming?
ERICA
Mm-mm.
BUFF
Are you sure? Okay.
The limo pulls out of the parking lot and onto the road. Erica walks over to Tim, who is lying on the hood of a car.
ERICA
You got everything right but the car. My dad didn't get me a BMW.
TIM
What'd he get you?
ERICA
A Porsche.
TIM
Mm.
ERICA
Yeah. So, what about you?
TIM
What about me? I don't have a car.
ERICA
You just seem to know all these things about me and I don't know anything about you, you know. What kind of music do you like?
TIM
Military marching bands.
ERICA
You think I'm rich and you hate me.
TIM
Now, how the hell would you know what I think? Hm? You don't know me.
ERICA
I'd like to.
TIM
Oh, yeah?
ERICA
Mm-mm.
CUT TO:
INT. BEE-BEE'S HOUSE –NIGHT
Bee-Bee slowly creeps up the stairs and into the bathroom, the entire house is dark. She opens the medicine cabinet and pockets a bottle of sedatives.
CUT TO:
EXT. CIRCLE A – PARKING LOT –NIGHT
Erica and Tim are still talking.
TIM
You know, it was the biggest mistake of my life.
ERICA
Really?
TIM
Well, I mean, you have to understand I was just this dopey kid mopping floors and kissing officer ass. I mean, well, I enlisted right out of high school. So I just wanted something different in my life.
ERICA
Mm.
TIM
"It's not a job, it's an adventure." Right? I hated it. I had to get out. So I was working in the kitchen, chopping lettuce, you know, real heroic stuff, and I, uh, I had this big fucking knife and I chopped off the tip of my little finger and three days later I was a free man.
ERICA
You cut off your little finger?
TIM
Well, they, uh they were nice enough to sew it back on.
ERICA
Let's see.
Tim shows her his scar. Erica gently rubs her fingers over it.
TIM
Honorable discharge. Disabled while serving. I get a check every month.
INT. CHINA GATE RESTAURANT – LOBBY –NIGHT
The group is standing in the lobby, no one is around. It appears as if their closed.
BUFF
(yells)
Um, four for smoking, please.
The RESTAURANT HOSTESS walks up to them, she is Chinese.
RESTAURANT HOSTESS
Closed, closed.
BUFF
(mocking her)
Oh, man, no closed, we just got here!
SOOZE
No.
RESTAURANT HOSTESS
Midnight closed.
SOOZE
Oh, come on! We're hungry. Please?
Buff decides to take control and walks over to the hostess.
BUFF
Yo, do you know who this guy is right here? That's Pony Moynihan from MTV. Yeah look at his limo out there.
RESTAURANT HOSTESS
TV?
BUFF
TV. MTV, what your going to turn him away?
PONY
(to Buff)
Come on, man. Sh, sh, sh.
BUFF
No man.
(to hostess)
He's probably the most famous guy that'd ever come in this place. You're lucky he's here.
RESTAURANT HOSTESS
Take-out only. Wait, I get picture.
PONY
Yeah, yeah, yeah.
BUFF
Thanks. See man?
PONY
You know? I remember coming here with my parents.
SOOZE
Really?
BUFF
You know, I should, um, make a video of this place. You know, bring the camera in.
PONY
You make videos?
BUFF
Oh, yeah, all the time. That's what I do now.
PONY
You know what would be cool is, like, to do a music video, you know? But, like, you know, have it set in here. You know, like, like, like, with her and shit. You know, like, you know, like, "Closed, closed, closed, closed, closed, closed."
BUFF
"Closed, closed, closed." But with your music.
PONY
You could do it.
BUFF
I could.
PONY
Yeah!
BUFF
Yeah.
PONY
I mean, do you have something I could show my manager? I mean, do you have a reel?
BUFF
Yes!
PONY
Yeah!
BUFF
A reel?
CUT TO:
EXT. CIRCLE A – PARKING LOT – NIGHT
Tim and Erica are still chatting away in the parking lot.
ERICA
I mean, what is there to be happy about really? I mean, going to the gym, climbing the StairMaster, eating the yogurt, checking the voice mail. Smoking the low-tar cigarettes, shaving the bikini line. Sometimes I just want something different, you know?
TIM
What was your name again?
ERICA
Erica.
TIM
Erica. So do you think you and I are alike, Erica?
ERICA
Deep down. Way down.
TIM
It's a mistake to think that.
ERICA
We could still talk, you know? It's nice to talk.
TIM
It's nice to do a lot of things.
ERICA
That's what I mean.
TIM
I'm not a nice guy.
ERICA
I know. It's okay.
TIM
Yeah?