smith_and_jones:session_iii
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smith_and_jones:session_iii [2007/11/16 12:45] dm |
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| They head for the center, where the [[burning man|burning man]] is burning (like duh) on top of a cement bunker. Upon entering the bunker they discover an eclectic art gallery inside, with works depicting the burnage. Amidst the paintings is an empty spot with an elevator which most people seem to be ignoring. | They head for the center, where the [[burning man|burning man]] is burning (like duh) on top of a cement bunker. Upon entering the bunker they discover an eclectic art gallery inside, with works depicting the burnage. Amidst the paintings is an empty spot with an elevator which most people seem to be ignoring. | ||
| - | Fearing a trap, Magenta scans Bob, but gets no definitive results. Smith uses the Voice on him, which causes Bob to shut down | + | Fearing a trap, Magenta scans Bob, and Smith uses the voice on him. This causes Bob to sit on the ground and shut down in an orderly fashion. Smith thinks this is some kind of a mental trigger, and therefore an infringement of his Voice copyright. |
| - | Magenta spots someone with a supernatural aura entering the elev | + | Anyway, there are many people milling about, and Magenta notices several supernatural auras. One of said sups heads into the elevator and vanishes, and the duo takes his lead. They enter the elevator and are transported (teleported?) to what seems like an underground complex. |
| - | Bob is scanned by Magenta and Smith uses the voice on him. This causes Bob to sit on the ground and shut down in an orderly fashion. Smith thinks this is some kind of a mental trigger, and therefore an infringement of his Voice copyright. | + | |
| - | Anyway, there are many people milling about, and Magenta notices several supernatural auras. One of said sups heads into the elevator and vanishes, and the duo decides to take his lead. They enter the elevator and are transported (teleported?) to the underground(?) complex. | + | In front of them is a sparsely populated lounge, with people drinking espresso and reading the paper and such. A few doors and corridors are visible beyond. Behind the elevator there are clicking cabinets, stacked as far as the eye can see and later identified as switchboards of Technomantic design. |
| - | In front of them is a sparsely populated lounge, with a few people drinking espresso and reading the paper and such. A few doors and corridors are visible beyond. Behind the elevator the lounge is filled with clicking cabinets, later identified as switchboards of Technomantic design. | + | Smith walks to one of the lounge lizards and **asks** him a question. The guy responds with a weary sigh and a faint hint of disgust and tells them they are expected. They go into an Office where they are joined by [[Anna]], a cute chick in a summer dress and bare feet who turns out to be half metal (arm, half her head). |
| - | Smith walks to one of the lounge lizards and **asks** him a question. The guy responds with a weary sigh and a faint hint of disgust and tells them they are expected. | + | ===== Anna ===== |
| - | They go into an Office where they are joined by [[Anna]], a cute chick in a summer dress and bare feet who is half metal (arm, half her head). | + | Anna is some kind of an important Technocratic functionary. She explains that this place, with the festival surrounding it and the burning of the man ("you would call it a demon, we call it a YETZIRATAN", she explains), is a form of communication port into [[the Dreaming]]. |
| - | There is much talking. The Cat shows up, and provides much distraction as S&J keep asking Anna (who can't see it) its questions. Smith gets bored and leaves with a bit of lesbian innuendo. | + | She also points out that no Verizon computer should be able to locate transmissions originating from the Black Rock |
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| + | There is much talking. The Cat shows up, and provides much distraction as S&J keep asking Anna (who can't see it) its questions. Smith gets bored and leaves with a bit of lesbian innuendo. | ||
| In the lobby Smith flirts with a fangy chick called [[Dana]], before an orderly brings him a phone. A lispy girl voice wants to talk to him. She directs him to a Chamber of Visitation, where behind a screen a shifting girl-shape begins to manifest into materiality. | In the lobby Smith flirts with a fangy chick called [[Dana]], before an orderly brings him a phone. A lispy girl voice wants to talk to him. She directs him to a Chamber of Visitation, where behind a screen a shifting girl-shape begins to manifest into materiality. | ||
smith_and_jones/session_iii.txt · Last modified: 2011/05/22 07:28 (external edit)
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