There are several pieces that were created by Faith, painstakingly described here by order of creation for the benefit of the imaginatively challenged. Unless specifically stated otherwise, these Trumps are in Faith's cylinder of art supplies:
Equanimity:
Fiona by the water - oil on a widescreen canvas. Most of the frame is taken by storming currents of green and blue, decorated with white froth. Some of it is sky, some of it sea, but it's completely seamless, and gives an almost cubist feel of changing perspective. The rightmost third of the frame is a close-up on Fiona, in 3/4 view, gazing into something just beyond the bottom-left corner. Her hair looks like flames of copper, backdropped by all this green, and its curls follow the movement of the currents (or vice versa), but she herself is as serene as everything else is turbulent, an island of safety; her eyes are the only place in the picture where the viewer's eyes can possibly rest.
Brave New World: Charlottesville main road Landscape - oil on canvas. a classic perspective into a boulevard, framed by autumn leaves on autumn branches, sidewalk on both sides and a nice cafe. Yes, the point of entry is a rather conspicuous one. It's a good thing we don't have masquerade.
Solitude: rooftop ledge of the Latverian palace and Faith's sanctum, drawn during his first days in Charlottesville - aquarell on rice paper. The picture is dominated by roof tiles, and a visible shitload of attention went into their slightly different hues and lightings. There are also two or three stray vines and a band of sky that is visible at the top, blocked on the left side by the parapet of an attic with a window that's barely low enough for its bottom to makes it into the frame. The most noticeable thing in this picture is the absence of a subject, namely Faith.
Doore: portrait of Charles Doore, done in a rush when he “accidentally” trumped away - industrial oil paint on a long sheet of paper. Pillars of black coat and blue meat, elongated thick vertical strokes with a wide brush. OK to fade out now?
Naïveté: view of the Empire State Building from nearby rooftop - colored chalk on bristol paper. It's a child's POV, looking through a diamond patterned wooden grate at the middle of the building (the bottom and top are out of the frame). There are morning glory stalks climbing the grate and false perspective makes it look as if the few blooming flowers are gigantic and opening into the thick of the tower.
Shelter: an alien landscape on Avernus drawn by Faith from Fiona's memory - soft charcoal on unstretched Canvas. All crags and shadows. It takes some staring into before the perspective (with the shadows from three blurry suns) settles in, but then it suddenly gains the extra dimension, a bit like magic eye posters, except you can really step through the extra dimension here.
Autumn: the Latverian “operating table” upon which Baron Hagen was lying wounded - aquarell on paper. At first glance the painting looks like a tree in fall, but the blotches of brown and yellows turn out to be blood and tent cloth and the patches of sky are dirty bandages and candles.
Subterfuge: Lord Magni's great hall - acrylics on canvas. Another childish POV, from behind one of the two great sculptures on both sides of the fireplace. The great fire is visible on the left edge of the frame. Next to it stands the statue of Jarnsaxa which reaches all the way to the top of the frame, where it is cut at the neck. The right half of the frame is mostly the carved decorations on the back of the statue of Donraz, behind which the viewer is placed, and between the two statues lies the hall itself with its great table.
Treachery: classic portrait of Duke Weiland - oil on canvas. Duke Weiland from boots to feathers, powerful stance, perfect smile, perfect skin. A bit too perfect. The painting uses something akin to the
Uncanny Valley effect to make the Duke seem very untrustworthy for no obvious reason. Clearly the Prince has picked up a thing or two on Earth.
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Moondance: The entrance to Tir-na Nogth's dungeons - Black inc on Black card. Taken from Corwin's memory, using his focus on secondary senses (gained by long months of blindness) and his being a nostalgic poofter; looks more like a woodcut than an inc-job, all slices of black and white in a sort of a harlequin pattern.
Lunacy: Brand, with the moonlight playing hard enough to make him look like Charles - inc on Black card. Transparent layers of pale color that merge - in an attempt to paint Charles while guarding the Tir Pattern - into a surprising Brand.
Alfodr: Charles from below, behind a grassy knoll - inc on card. The first impression is that the knoll is a hillside, and the Blue of Charles is the sky, with his head outlined by the brilliance of the sun from behind
Charlottesville - came out as a map with a red circle
Latveria - came out as…?