Lost in Tel-Aviv will be screened at the Tel-Aviv Cinematheque next Wednesday, the 14th of August 2008 at 22:45, as part of the Animation, Comics and Caricature Festival. See also the events table here (the programme says Wedensday, the 14th, which can’t be right – but that isn’t the only error there).
If you are averse to seeing it on the big screen or being seen in public, you can see the whole movie here.
Posters for the Watchmen movie that were used in Comic-Con have been uploaded to the movie’s site. Go look at them, they’re pretty.
What’s most striking about these is that most of them are meticulous recreations of the original Watchmen teaser ads that ran in the comics before the original comic series first ran. I’m not sure if those teasers appeared elsewhere since the 80s (presumably they might have been included in assorted complete editions as extras), but they’re certainly not iconic images to the casual comic reader. This is fan-service directed at the hardcore, which I guess is expected for Comic-Con, but it’s also consistent with every other bit of publicity I’ve seen so far. Zack Snyder and co. are making every effort to convince fans that this movie is going to be the unadulterated graphic novel put on film, as lavishly as 300 ever was. This message is clear even in their mass-market publicity.
To quote the X-Files slogan, I want to believe…
These were supposed to be thoughts on how I’d want to run an Amber game, but I didn’t get too far because of digressions into literary criticism.
First, we use just the first five books as our setting bible: Nine Princes in Amber, The Guns of Avalon, Sign of the Unicorn, The Hand of Oberon and The Courts of Chaos – only the Corwin books count. By removing Merlin’s story from happening and ditching everything revealed in those later five books we get rid of a whole bunch of inconsistencies and some horrendous cumulative power-creep.
Merlin’s version of reality sneaked into the Amber Diceless Roleplaying Game because the Logrus is mentioned in Courts of Chaos but demonstrated only in the Merlin books. So no Logrus tendrils in my game (or Benedict parrying invisible oponents either).
The tone and feel of the two series differs considerably. While the Merlin books are fantasy, as in genre fantasy shelved and marketed as such, and have (like Dave Langford astutely commented) the feel of a high-level AD&D campaign where the characters are weighed down by a slew of magic items, powers and artifacts, the Corwin books are Sword and Sorcery: published in the Seventies, this is first-generation fantasy, still fresh, still a shiny toy for Science Fiction writers (and readers); Phillip Jose Farmer and Michael Moorcock are clear influences, but Zelazney throws in Medieval Romance literature, Hardboiled detective fiction, Alice in Wonderland and Science Fiction’s love of big ideas and nifty extrapolations.
One notable difference between what I’m calling “Sword and Sorcery” here and second-generation fantasy, which is post-D&D, is the attitude to magic. In the first Amber series, magic is still mysterious and dangerous, subtle and sanity-shattering. You don’t have to be crazy to be a magician, but it helps (i.e, Dworkin and Brand). The magic we see worked by Corwin, Oberon and others looks like poetic improvisation, creative manipulation of shadow that resembled legend rather than the systematic spellcasting Merlin uses in the later books, which is very Vancian – that is, D&Dish.
About that power-creep: part of the appeal of the Amber books is that the scope keeps getting broader, with a series of revelations building up and the characters using their new insights to leverage established and newly-revealed powers in novel ways. That dynamic works beautifully in a roleplaying game. Even in the Corwin books, you wonder how the setting remained static for thousands of years if it could be upset so quickly, but in the Merlin books the power accumulates at an exponential* rate that’s just ridiculous. Ludicrous, even.
But back to the time period thing – Corwin’s books occur, according to this Amber Timeline some time around the period they were written – 1968-1977 or so. I want to keep my game close to that, so in my world it would be 1981 or so – no cellphones and WWW on shadow earth!
* – thanks, Ori.
Dark Knight Shift: Why Batman Could Exist–But Not for Long: Scientific American – an Interview with a professor who wrote a book about it:
How many of us do you think could become a Batman?
If you found the percentage of billionaires and multiply that by the percentage of people who become Olympic decathletes, you could probably get a close estimate.
No, I haven’t watched it yet (although the bit I did see was cute). But look! here’s a trailer for Watchmen! No, here it is! Or here!
Maybe that’s what’s clogging the tubes. Or maybe it’s just the weekend, and my Internet doesn’t like working the weekend.